Month: July 2013

Charlotte Devaney

I first got tinnitus in March 2012. For the first couple of weeks it turned my life upside down, but I’ve got used to it now and use my ear plugs every time I DJ, am in the studio or go to a club, and can hear perfectly with them!

Musicians’ Hearing Services were recommended to me by Eddie Temple Morris, he said they were the best in London and that Geraldine would look after me!

They were great, Geraldine was really friendly and helpful and they got my ear plugs to me really fast!

The earplugs have saved my ears from further damage, and pain from loud music.

I’d say to all DJ’s, or people who are constantly around loud music before you get Tinnitus, invest in some earplugs and save your hearing!

Charlotte Devaney

International DJ, Producer, Actress & Model

Tre Lowe – Making Noise for Tinnitus

DJ Tre Lowe’s Crusade for Tinnitus & Hearing Awareness for DJ’s, Broadcasters & Entertainers

The AIM is:

  • To have no one ask the question- What is Tinnitus?
  • To empower people to take action to protect their hearing.
  • To ensure that no one needlessly suffers from what is an easily preventable condition.

The first campaign is to get DJ’s, broadcasters and Musicians to get their hearing tested.

The second is to release music, which will go towards spreading awareness and raising funds for research and support.

Tre Lowe has had tinnitus, or ringing in the ears, since his early teens. The condition started following a life-threatening reaction to a routine drug given after an appendix operation.

The tinnitus was exacerbated over the years, ignorantly, via Tre’s love of music. “I never fully connected loud music to the fact that the tinnitus noise was slowly getting worse – I just assumed it was due to the drug overdose I was given at hospital.”

In 2008, after a DJ set at a ridiculously loud club with an ill-informed placement of speakers behind the DJ booth, Tre’s tinnitus worsened considerably. “I went deaf for 24 hours. Luckily my hearing returned, although my tinnitus was super loud. I was distraught. At that point I knew I had to protect my hearing.  “That was it for me, I got myself some Elacin custom-made earplugs with 25Db filters. I loved music too much to risk losing it”

Although Tre’s tinnitus has worsened a little, the earplugs have spared his hearing from further deterioration.

“The whole thing has been a blessing in disguise because it allowed me to look at all areas of my health and lifestyle and finally find answers to issues that had been tormenting me for years. Don’t get me wrong though, I would do anything to stop this noise in my head!  Another good thing is that it has galvanised me into ensuring my fellow music lovers do not suffer through ignorance.  There’s no point me suffering with it if I can’t use that suffering to prevent others from doing the same”.

Having completed the London to Brighton bike ride in aid of Action On Hearing Loss, Tre has also done additional work for the charity.  The charity ran a successful campaign with Plan B & Chris Martin from Coldplay talking about their experience with tinnitus. Unfortunately that participation from well-known musicians is the exception, not the rule.

“The reluctance of musicians, especially prominent ones, to talk about tinnitus and hearing loss, shocks and saddens me. I get it, as I too have wrestled with going public. However, I believe it is our duty to inform others of the dangers, especially the young vulnerable music lovers that, like I was, are totally ignorant that something they love so much can potentially be the cause of unnecessary suffering in the future. That culture of ignorance has got to change…”

DJ Tre Lowe is one half of the highly respected, award-winning band: Architechs. Notable for the eternal dance floor filler; Body Groove (Feat. NaNa). A monster platinum hit. Architechs also enjoyed numerous successful remix smashes with the classic Brandy & Monica’s – The Boy Is Mine UKG remix and other masterpieces for Justin Timberlake, Usher, Whitney Houston and numerous others.

Tre Lowe

Eddy Temple-Morris DJ gets earplugs for tinnitus

Eddy Temple-Morris DJ gets earplugs for tinnitus

If you’re a DJ or a muso and you’re reading this and thinking ‘maybe its time I got some earplugs…’, hold that thought and listen: there is NO ‘maybe’ about it. I cannot stress to you how important it is to protect your ears, they are your living, and they are under almost daily barrage.

I’ve been on tour with The Prodigy and played gigs so big the monitoring is 30,000 watts of sound, but if you’re thinking ‘I only play little gigs’ it’s often those sh*tty little sound systems at Camden Monarch or some bar that will cause the most damage.

One day, years ago, my colleague Erol Alkan told me he’d lost 40% of the hearing in one of his ears and that he’d just discovered Geraldine and Paul at Musicians Hearing Services.

That recommendation changed my life. I’d get tinnitus SO badly after every gig, that I couldn’t sleep, and I’d be ill as a result. My immune system was shot through and I was a mess.

Since getting MHS to sort me out with plugs, I carry them EVERYWHERE and use them at big gigs, little gigs, parties, anywhere with a sound system. Now I sleep, I’m healthy and my ears aren’t getting any worse despite my job.

They make it easy, they are nice people, they’ll even get rid of that horrid build up of years worth of wax for you.

The plugs come in varying degrees of sound reduction and they just reduce it, not muffle it like those spongy yellow ones you can get for free at festivals. You’ll still hear the sizzle of a hi-hat and the boom of a kick drum, just at less damaging volume.

Now if you’re final thought is ‘hmmm but its quite expensive…’ Stop. It’s the best money I EVER spent.

Do it now. You will not regret it. Just guard them with your life!

PS – just one more thing – if you’re thinking ‘this is one of those free plugs for a plug thing…’ NO. This is from the heart and I paid the same for my earplugs

as you will pay for yours.

Eddy Temple-Morris

Matthew Horne

As a DJ I knew I should be protecting my hearing, I often have ringing in my ears after a gig. I tried the foam plugs but they just made everything sound dull.

Then I heard about Musicians’ Hearing Services. They made me custom fitted specialist earplugs which make things quieter but keep the fidelity of the sound. The service was great and the staff were knowledgeable and friendly.

Now I won’t play a set without my earplugs.

Matthew Horne

Ben Drew (aka) Plan B

My life would be very different if I didn’t have the use of my ears. Without my hearing, I wouldn’t be able to work, write songs or act.

So looking after my hearing is essential, if I want a career in music or anything else creative. I use in ear monitors when I perform on stage and moulded ear plugs when I’m just going out on a social one and there’s loud music being played, all from Musicians’ Hearing Services.

It isn’t worth risking the use of your ears just to have a good time.

Ben Drew, aka Plan B

DJ Bicep

Musicians’ Hearing Services provided a perfect service when booking, fitting and collecting my earplugs. The quality is second to none both in build and sound, across a range of monitors I have played on since using.

Once you start to use them you have much more control over the frequencies at higher volume and makes it much easier to manipulate whilst djing.

Essential equipment for people who dj in my opinion.

DJ Bicep

ALT-J-drummer Thom Green “I couldn’t have imagined how fantastic it would be”

We first met Alt-J when they came in for their on-stage in-ear-monitors.  Our Clinical Director Paul noticed that drummer Thom was wearing just one 10-year-old NHS aid – its pair was broken – and spoke to him about how digital technology has moved hearing aids on. “I was blown away by how little I knew about new hearing aids,” says Thom.

Thom returned for a full hearing test where, with Paul’s advice, he opted for a binaural pair of Widex Clear 440s. A couple of weeks later, in-between band commitments and touring, Thom returned for his fitting, an experience that up until that point in his life, he could never have imagined.

“The fitting with Paul was great,” he says. “It was overwhelming. I knew that I’d be surprised and it would be amazing but I couldn’t have imagined how fantastic it would be. The levels of my new aids are so good. I’m aware of my voice; I can hear the sound of my pronunciation.”

Harrogate-born Thom was born with Alport Syndrome, a condition that results in hearing loss, kidney disease and can affect eye-sight.

Because of his profession and the sheer volume of touring the band was set to take on in the coming months and years, at their initial consultation Thom decided to opt for CICs as opposed to the BTEs he had been wearing. “When you’re touring, you sleep wherever you can and more often than not, that’s in the van. If you’re trying to sleep with your head leaning against a metal pole your hearing aids get in the way. It’s amazing to now have that whole freedom away from my ears.”

During the fitting, Paul was careful to caution Thom that everything might initially sound strange, especially as Thom had auditory deprivation, having not worn the pair to his aid for over a year. “In situations like this, it takes time to get used to the new sound,” explains Paul. “It will initially feel strange and a bit surreal because the brain is re-adjusting to binaural hearing, which affects balance.”

But Thom soon got used to his new aids and the band embarked on a summer of touring and playing festivals from Japan to Los Angeles, and all over Europe.

As well as being fitted with Widex Clear 440 CICs, Thom now has the Widex M-Dex, an assistive listening device for use with the mobile phone, which has also helped in his life as a member of a Mercury Prize-winning band. “I do a lot of promo and phone interviews,” he says. “The M-Dex makes such a difference. It’s so unique.”

Feel like your hearing has changed call 020 7486 1053 or complete below.

Zane Lowe

A few years back I became very aware of how much I was exposing myself to loud music.

However, as a DJ I was concerned about using earplugs and losing some of the feel of the room.

I have used these plugs now for 3 years and swear by them. It’s only when I take them out mid set that I realise how dangerous monitor levels can get. I do not DJ without them.

Zane Lowe